Thursday, 16 May 2013

Can we change the Narrative?


I wish to move forward and to heal old wounds, See lights at the end of tunnels, 
I've gained and lost so much being your fan. 
For such a long time I was doing a fansite for a ghost.   
As I have my blog now.....
I know that I have been wrong but I have also been right too!  It was always for the music that I loved.  I love piano music and I love your piano....
I have often times been confused and lost at sea in the middle of a deep ocean - afloat in a leaky boat with no rudder and no life raft with no idea how to get to shore anymore. 
Being your fan was a great a motivator for me - it gave me drive and enthusiasm, it made me push boundaries. All the silences though .... all those silences from you were deafening...
It wasn't about contact, you never posted online as you do now on Twitter (why not facebook?) 
Once I thought I might never have my own voice - because of you, you gave me hope I have one.

Might you give something back to fans who've stuck by you for ten years. We might like to share in your happiness after ten years supporting your music.... : )
I am much less star struck than in 2003!  I've met many well know artists here and many now know me even! especially folk people. 

I need to change my narrative now!! 
I have been right too though, right about your music -  I should have believed in your strength.
I should have known you were strong enough and talented enough to rise above it all!  I guess in your music world David Sneddon doesn't really exist?


When you are not alone and all the world seems forgiving. Perhaps we can dream....
There is never a safe way to realise dreams.. .

Music doesn’t express emotions – music simply expresses itself.
Music helps you to find your own feelings.
Music gave me a voice. Emeli Sande

David BIO 2013: THE NEXUS

DAVID SNEDDON is a Scottish singer, songwriter, musician and music producer. He took an unusual route into the music business via performing on stage and television and he sang lead roles in musicals in Glasgow. He went on in 2002 to win the first series of the BBC's music competition "Fame Academy." He released his single 'Stop Living The Lie' which was a number one hit single selling over 250,000 copies, making it the 12th highest selling single of the year. Sneddon's debut album "Seven Years -Ten Weeks", released April 2003, reached No.5 UK Albums Chart. He had three further UK hit singles - "Don’t Let Go" No.3, "Best Of Order" No.19 and "Baby Get Higher" No.39.  His song "Baby Get Higher" was a hit on the dance floor for Almighty Records and a chart hit for Van Velzen and for Emin Agalarov. In October 2003 he moved from being a popstar to working as a songwriter. He signed to major music publisher Sony/ATV Music Publishing as a songwriter in 2009 and he describes his music as melody driven pop. Sneddon is one of the most successful graduates from a reality tv show and has built a longer career in music than most of the 'here today, gone tomorrow popstars.' 

David Sneddon’s Songs – Nate James (“The Message”), VanVelzen (“Baby Get Higher”) Hurts ("Illuminated", "Blood, Tears and Gold", "Silver Lining"). Matt Cardle (“Slowly”, “Letters”),  Lana Del Rey ("National Anthem") Newton Faulkner ("Pick Up Your Broken Heart") Charlie Brown ("Dependency"). Greyson Chance ("Sunshine City Lights"), David Archuleta ("Don’t Run Away").  


THE NEXUS
David Sneddon works with producer James Bauer-Mein as "The Nexus" songwriting and music production partnership for high profile and highly-anticipated emerging artists in the US and the UK. 
They have written for - synthpop duo Hurts 2010 global multi platinum debut album Happiness – “Illuminated”, "Silver Lining" and "Blood, Tears & Gold.” The single "National Anthem" for Lana Del Rey's number one selling debut album "Born To Die" 2012 and the video has received 19m YouTube. "National Anthem” also appeared on Del Rey’s international multi platinum hit album “Paradisewhich has had record sales of over 4 million and made  No.1 in eleven countries. Newton Faulkner's "Write It On Your Skin" contained Nexus songs -"Pick Up Your Broken Heart", "Soon" and "Feel" - and made No.1  UK Album Charts. In April 2013 The Nexus became part of 365 Artists. http://www.365artists.com/producers/the-nexus.php 

They have built a strong reputation as songwriters in London and they have worked and released with artists – Lana Del Rey, Hurts, Newton Faulkner, Morten Harket, Will Young, Nicole Scherzinger, Olly Murs, Pixie Lott and Kristina Train. 


Thursday, 9 May 2013

John Kielty Update 2013

David and John Kielty at the incredible Jazz Bar gigs 2007

I know many thought a lot of John Kielty, so I thought I'd post a news update on him. I've not seen John for years now.  . 
John played with David back in 2002 as The Martians and again with David after he won Fame Academy in 2003, 2004 and again in 2006. They proved a dynamic and interesting songwriting partnership and co-wrote some incredible songs, such as Only A Boy and Wasting Your Life Away.

While acting in Romeo and Juliet David met John Kielty (Sneddon was Romeo and John played Juliet's father). After performing some acoustic nights together at the Tron theatre in Glasgow in 2001, they decided to start a band and called themselves The Martians. The Martians busked and did shows during the Edinburgh Festival. David was performing with The Martians in 2002 when he decided to enter the BBC's first series of Fame Academy. After David won the show he brought John down to London to co-write his debut album and go on tour. He also played in the indie-rock band The Sham with John Kielty in 2004 and 2005.  
John is an actor, musician and playwright and he often performs at the Lyceum theatre in Edinburgh. 

 
John at the Lyceum Edinburgh
John Kielty lives in Edinburgh Scotland. He is an actor, musician and writer. He co-wrote the top 5 selling album Seven Years Ten Weeks (2003) with David Sneddon (Hurts, Lana Del Rey). He won Cameron Mackintosh's Musical Quest with his first full scale musical The Sundowe (2007)
He has since won Spirit of the Fringe Awards for his musicals Greyfriar's Twisted Tales (2008) and Mercy Madonna of Malawi (2009). He also co-wrote and appeared in the aboriginal reimagining Dream Time Peter Pan in Brisbane (2010). Kielty's musical with RSAMD in 2010 (now the Royal Conservatoire Scotland RCS) Wasted Love was nominated in 4 categories at the MTM awards at the Edinburgh fringe, winning Best Lyrics. 

Kielty's theatre scores include Merlin the Magnificent (Royal Lyceum), Educating Agnes (Theatre Babel) and A History of Scotland (Sleekit Productions). Talent Night in the Fly Room (Traverse Theatre) the Murder of Geoffrey Robbins (Oran Mor) and and Peter Arnott's adaptation of The Cone Gatherers.

Thursday, 25 April 2013

Memories April 2013


It's been both very wonderful and very hard to be your fan... Always inspired by you. I tried to catch the moon for you, to paint the stars....Always believe in you. He's a bright elusive flame that needs to be free (David quotes - ) Can you describe your last year in 3 words?  'Surprising, rewarding and cactus! I don't know why that popped into my head - that's one for you to work out!'

Letter April 2013
28th April will be the ten years anniversary since the release of David’s wonderful debut album "Seven Years - Ten Weeks". I remember the day well. I waited expectantly at Safeway's, I had gone early to the shop and it felt strange to be meeting David. I should explain I am not into 'Fandom' in any shape or form and I had never visited a Fan Forum or followed an artist in this way and I never have since. What I am into is following energing new artists, while I also enjoy older ones. I am a musician myself and listen to music all the time. There was just something particular about David - his piano playing, his being Scottish, his drive and enthusiasm, his poignant and soulful voice, his being a songwriter. I have never voted for or followed another artist from a reality tv show either. I had little idea what I was getting caught up in though...... 

Here I am 10 years later!  Having written his bio, taken portfolio photos of David and having adored his voice and songs much more than I ever expected to. What a journey!  I've been both inspired and very let down too. He's so interesting, bright and articulate and also so elusive and guarded too. I think that the time after winning burned and shocked him in many ways.


The Pop world is a strange place. Even stranger is the Fandom world!! I'd no idea at all and I've been burned too. I had a horrible thought today - does David avoid his own releases because of all that nonsense!? I am sure the fan rivalries and bitterness saddened him. I always tried to focus on the music, that's why I'm here. Misunderstandings. I know it saddened me that we can’t all be fans in our own way. Sometimes we cant' hear each other because seas divide us and false stories are carried on ill winds. Even when we mean well and all intentions are good. Misunderstandings are best set aside. 'Fandom' whatever it really is (?) is so much easier now with all the social sites - Twitter, Facebook, more I am sure. I have discovered too that online is not an escape, it has a dark side just like the real world. I have tried not to be defeated. I tried be a good fan, even when nothing felt good enough and I fear I might have failed in my endeavours. 
I remember no 1 Glasgow fan phoned to ask for my friend's phone number so she could attend the Sham launch gig in October 2004. That was so devastating. Then we heard that the launch had actually been an open event! There has also been lovely kind people too who have been so kind and supportive of my work. I think of times he's been kind towards me?  I try to understand? I don't know why I think of this now. I wasn't going to let some stop my being his fan and I am certain David found it all very puzzling. There are some who know the truth of it all, I try not to think of it.

I never post about David anywhere online now - except on the bio and sites - and I ONLY post news that is already in the public domain - for anyone who wishes to complain over my posts. While I have gained so much, I have lost part of myself too. I have moved on and discovered I get recognition elsewhere for my work. I have asked if anyone thinks they would do a better job on the David bio.. Perhaps as in B & W images that I love best - the light cannot exist without the dark to reflect it as David wrote in his songs No More Words and his so poignant Wish You Well

"Rain and concrete soon become the crowd/ Here comes fortune favouring the brave/ To this conflict I am just a slave/ There's nothing clever in this being brave/ 
If we can't erase the past, lets forget/ Turn the keys and drain the glass, step outside/ Cause you and I have hit a wall/ I wish you well, fare the well/ I'll take you with me....and close your eyes.."

I hope he still writes these words and songs. I hope he's still as hungry for it all as he was. If he likes to be free then the Pop world may not the right place for his own voice and music…
I believe some of us try to be Shapechangers - that's how I've always been. 
Sometimes I have been right to question. I often wonder what it's all for if not to move things forward. While it’s been creative and a voyage of discovery too.  Still. Many plans.
 
Where are the exciting younger artists these day? After following your career I’m so proud of all your song successes. Well done! It’s all about the song, isn’t it? I hope the Bio looks good to you?

I wrote this in 2004
Some favourite memories of David. Oct - Dec 2002
In 2002 I was impressed by a singer and musician - DAVID SNEDDON, with his tenor voice, melodic songs and moving piano. My first memory of David is when he wheeled his suitcase into the Fame house - he had that look of pure joy and excitement all over his face. He had the most wonderful attitude to everything that was thrown at him. He rose above every challenge. 'I just take it on the chin and get on with it!'  He gave us the most memorable moments; the look of shock the first time he won the public vote; the 'Carrie moment', when he first sang and played his songs and the expression of surprise on her face; the leaping for joy moment on winning the vote against Ainslie; his thrill to be made grade A for the week! My best memory of all is his love of music - when he sang or played his pure delight and joy was amazing. This passion came through when he sang his songs in the final. That is a night I will never forget - his voice was magic! I saw David perform at The Garage in April.
When I heard his album and his wonderful songs I was hooked and became the dedicated fan I have been ever since!

Hearing David sing 'No More Words' leaves me feeling more optimistic than ever.  It's a beautiful, melodic song, a mature song - I think it shows he's developing as an artist. He sings it wonderfully.  When I listen to it I can't wait to hear what comes next. As for Dave's vocals - I can't find words to describe how sexy they were. The low notes were gorgeous and he's fantastic when he improvises and goes off at a tangent with the vocals.  

David on TV

David on Top of the Pops
David singing on Fame Academy
David on BBC Saturday show

Thursday, 11 April 2013

365 Artists


Congratulations to you both on joining 365 Artists!  
It was very good to hear and wonderful you are gaining recognition for your wonderful music - along with your partnership with James Bauer Mein as The Nexus. 
I am glad you have found your ‘niche’ and are happy...and all despite that silly tv show too!?

People still ask if you are online?
I’m sorry, I can’t help still missing the moving messages and joy of your own personal songs and your voice that captures my imagination. I have listened to singers over many years and David has the sexist male vocal I’ve ever heard – breaks my heart as does his expressive piano. Soothing and heartbreaking. Guess I'll be eighty before he releases again?!
.
I have updated your 7 Bio pages, including the Wikipedia page and 3 News pages with the news. It's been both very wonderful and very hard to be your fan... Always inspired by you. I tried to catch the moon for you, to paint the stars....
Always believe in you.
Times change we move forward, hopefully in a good way. 
THE NEXUS
He works with producer James Bauer-Mein as "The Nexus" songwriting and music production partnership for high profile and highly-anticipated emerging artists in the US and the UK.  He is one of the most successful graduates from a reality tv show and has built a longer career in music than most of the 'here today, gone tomorrow popstars.'

They have built a strong reputation as songwriters in London and they have worked and released with artists – Lana Del Rey, Hurts, Newton Faulkner, Morten Harket, Will Young, Nicole Scherzinger, Olly Murs, Pixie Lott and Kristina Train. 

They have written for - synthpop duo Hurts 2010 global multi platinum debut album Happiness – “Illuminated”, "Silver Lining" and "Blood, Tears & Gold.” The single "National Anthem" for Lana Del Rey's number one selling debut album "Born To Die" 2012 and the video has received 19m YouTube. "National Anthem” also appeared on Del Rey’s international multi platinum hit album “Paradisewhich has had record sales of over 4 million and made  No.1 in eleven countries. Newton Faulkner's "Write It On Your Skin" contained Nexus songs -"Pick Up Your Broken Heart", "Soon" and "Feel" - and made No.1  UK Album Charts. In April 2013 The Nexus became part of 365 Artists. http://www.365artists.com/producers/the-nexus.php 

Monday, 1 April 2013

Recordings

My strongest memory of music from 2003 is his singing live Without You on the radio and John on guitar. That's why I travel to hear him live. His music (piano and voice) has never come over totally on the recordings. On his Seven Years Ten Weeks we heard Elton John's band backing his soulful tenor vocal and it all sounded a bit too much Elton John rather than David, too 70s and all plundering away to his melodic and subtle tones. The closest it came on the recordings was on Without You and on Long Time Coming with John Kielty’s guitar and on the lovely On Your Side. All these years later I still listen to these songs.

David then recorded with some London musicians as The Sham as he ventured into a 'rockier' sound. He felt that the 'Balladeer' image of 2003 was too sweet and too pop-oriented and he recorded songs such as Only A Boy and Star. The piano is the heart of his music and oddly he wasn't playing piano with the band. I remember too some fans were very taken aback he wasn't playing piano with The Sham, personally I enjoy when he does both - plays piano on some tracks and sings with guitar backing his voice on others. The band started out with David's voice ‘centre stage’ but became rockier over time with the gigs and his voice felt drowned over at times.   

In 2006 he recorded 'acoustic' songs for his White Noise ep. I asked other fans for feedback on the ep and most said that while they loved the songs they felt both the songs and David's voice were often 'held back'. He does write beautifully passionate and very heartfelt melodic piano songs. His songs have clever, poignant and moving words. While his songs can be subtle they also have a passionate edge in them and both need to come over in the recordings. His voice is soulful with hesitant pauses and soaring highs.

He also does powerful cover versions of Rocket Man, I Don’t Want to Talk About It and Dignity. I love the quiet tones of Without You and I also love when he takes it up a few notches and rocks a bit too. Elton's piano of Sad Songs or The Beatles Drive My Car say.

He put out a few new recordings in 2009 and in Stay Till Tomorrow he came so very close to those radio performances I've heard from him when his lovely voice is relaxed, strong and expressive.David works as a music producer and writer.

The thing is too as Dylan wrote - folk songs can have far more depth and passion than rock n roll. 'the folk songs were filled with more despair, more sadness, more triumph, more faith in the supernatural, much deeper feelings.' 

He wrote once, I don't know if anything will ever happen again for me with my own recordings, but it wont' stop me from doing them... mmmm? I do the sites because I believe he is a serious artist.   

I’ve no idea if anything will ever happen for me again with my own recording (although it won’t stop me doing it) with my writing going well…

 (I listen to singer songwriters on the radio sometimes - one was singing a song today with lyrics that went - 'Sometimes things are easy, sometimes things are hard' and that's when I despair over music and the blindly deaf record labels and the thinking of how much David's passionate songs mean to me and to the others fans I know... oh dear....)   

Sunday, 24 March 2013

Seven Years Ten Weeks, ten years on..


...now Ten Years On?

I bought David's debut album at his Safeways signing so excited for his new songs and his unforgettable voice. That was the first time meeting him. I can remember that day quite vividly and playing his album on the way home, I was excited for his music and the hope of more music to come. . and I saw unrealised potential in David.

Seven Years – Ten Weeks made No.5 in UK Album Charts and had three singles in the UK Singles charts. Not so shabby really : )) Singles – Stop living The Lie, Don’t Let Go, Best Of Order.

Seven might be my lucky number? 
Even while he came out of a low brow rather ridiculous tv show, I believed in David as a serious artist all these years, and that is why I have backed him and put in all the work on these pages and on his bio.  
Its' been one of those long roads, I never lost faith though. 

2012 has been a very important one for David. He has gained good recognition in the industry as a writer. First he gained success with quality songs for Hurt’s album Happiness with Illuminated, Blood Tears and Gold, and Silver Lining (Hurts have recently released their second album Exile) and who made it big in Europe, particularly in Germany. Hurt's Happiness sold a million copies.    
Then David, as part of The Nexus, had success with songs for Number one selling American singer Lana del Rey - in particular the song National Anthem which she released as a single July 2012.
He also wrote Driving In Cars With Boys with Del Rey and I really like this song -  http://www.youtube.com/
Lana's Born To Die has sold 3.5 m worldwide. 

David has also written songs for other chart topping albums  - Newton Faulkner (Write It on Your Skin) and  Matt Cardle (Letters).

I hope the journey in 2013 is as successful and interesting. It is a privilege to have been his fan all these years and to know I was right to believe in him. He is such an interesting artist and I owe him so much.....
I have followed and played music for many years and he’s the first singer songwriter in years I’ve been excited for. If your wedding is soon I wish you both the most perfect day : ))

He is one of the most successful graduates from a reality tv program. David Sneddon’s Songs – Nate James (“The Message”). VanVelzen (“Baby Get Higher”) Hurts ("Illuminated", "Blood, Tears & Gold, and "Silver Lining"), Matt Cardle (“Slowly”, “Letters”), Lana Del Rey ("National Anthem"), Newton Faulkner ("Pick Up Your Broken Heart", "Soon"), Charlie Brown ("Dependency"), Greyson Chance ("Sunshine City Lights"), David Archuleta ("Don’t Run Away").


His underdog image proves to be quite endearing - and he also shows himself to be a songwriter of some promise, redeeming his pub-rock arrangements with infectious piano melodies and an attractively low-key falsetto. Review by Andrew Lynch. Entertainment.com

The strongest authentic songs are the ones based around David's piano and voice - All My Life and Without You - while I always felt that Elton's band weren't quite right on these songs and slightly drowned over the vocals and piano. The album draws on many varied musical influences and that's were its main drawback lies in its lack of a clearly defined musical style. Also some of the songs sound too much like the 70s and perhaps weren't universal enough - well yes his biggest influence was Elton but it needed to be moved on and made into David's own style. Even so David has one of the most perfect expressive falsetto voices ever for me, so I could listen to this album simply to hear studio quality of his subtle yet incredibly moving tenor voice!  

He shows signs of joining a long tradition of popular singer-songwriters capable of lasting the course. BBC

.Seven Years - Ten Weeks is something of a revelation. , this debut outing is, surprisingly, a top effort.

Thursday, 21 March 2013

The Other Fans


I did the sites so he'd believe in his talent and so he'd know there were many who continued to believe in him (all the other fans I heard from). The sites are not only about my belief - they reflect the others also. I've been in touch with many fans via emails and phone calls and meeting them. They are about my hopes and dreams that it all  mattered, all the efforts, and about the other fans who continue to this day to support David and to support my work for his fan sites and Bio pages. I hoped that David was OK and I hope that perhaps he has enjoyed some of my chat on music.There are many posts and reviews by other fans on the David BLOG and fansites, in particular thoughts on his music and gigs.
Fans Views - 
David. I still hear often from people asking about your songs and music - which considering you have released no music for such a very long long time is quite surprising - wonderful and sad too. I believe in you. I never thought that this young guy on a tv show might offer me hopes.  
Sneddon became known when he won the BBC's first series of a reality tv music competition called Fame Academy in December 2002. He was not selected for the first show, but was drafted in as a replacement when one contestant withdrew from the TV show due to illness. Sneddon, with his high tenor voice and easy going, personable charm, went on to become a favourite with both the audience and his fellow contestants. He won the final of the show winning the voters attention for his memorable versions of "Don't Let The Sun Go Down On Me" by Elton John, “I Don't Want to Talk About It" by Danny Whitten, and his own composition "Stop Living The Lie" and won the public vote with over 3 million votes(3.5 million of the 6 million public votes cast).
He was the TV show’s most prolific songwriter, as he wrote at least one song a week, and he was voted as the most inspirational and original writer by his fellow students.

Other Fans Gig reviews -
 http://davidsneddonmusic.blogspot.co.uk/amazing-metro
 http://davidsneddonmusic.blogspot.co.uk/hull-supporting-elton-john


I loved his choice of cover songs on the show - especially his version of Danny Whitten's I Don't Want to Talk About It". I would never be doing this blog without them. Many travelled miles as I did to hear David perform. I travel because he is wonderful live. 
I believe if we are given a gift worth sharing...it is the most precious thing in life.


The music combines infectious melodies with insistent, urgent beat; and peppers them with witty and sometimes poignant lyrics. David Sneddon's unique and powerful voice still tears and sears, but the context complements and lends depth to his performance. It's altogether a more mature sound and, unarguably, it still gets me where it hurts. Bet’s review Metro

I wish I was able to communicate to David just how powerful his raw voice is, I'm sure it is what won him FA but then his label didn't know how to handle a truly emotional singer, who had 'it' without needing all the technical wizardry of the studio. Helen
David you are the most inspirational singer songwriter that has ever emerged from the reality TV genre. You have the most touching lyrics and almost heaven like face that a person would ask for. Love ya! Liv

No More Songs to Sing


No More Songs to Sing
There are no more words to write
No more songs to sing


When I thought all was lost
I looked for a way in dark places
In deep mines, in tall hills, in shallow rivers...
On high winds.

There were few lights to light the way
Few hopes to cling onto
Into the ring of fire, mount doom,
Many weary roads,
I hoped it all mattered...
But I was wrong.

So many losses,
I lost my way
When there was no light in dark places
All hopes were lost.

I lost you there.

Perhaps that is just the way of things?
Life....

There are no more words to write
No more songs to sing
I'll search for them all.

If being a fan of your music is a crime
Then I am surely guilty.

So many loses, I lost my way.  When there was no light in dark places
All hopes were lost. I lost you there.   

To Outlaws and Dreamers and life at the edge... 

Wednesday, 13 March 2013

Looking to the Future


Challenge the Accepted
Those of us who dare to question and challenge - that matters but its hugely scary too.
It matters so much to challenge the accepted and it is the only way to move forward. 

Many 'fear' change though and cling with determined mindsets to the familiar. It's a serious problem in our culture and society, and instead we should be embracing the new and unknown at times.

Yet - how do we know when it matters to challenge? That's the key thing right there!
This is not to say that they past isn't also incredibly important or that we should forget and the opposite is true. The past is the bedrock we need to build on and it is the only way to make sense of the world.  

I enjoy the way Neil Young writes about old memories and treasures some objects such a older instruments or cars. He writes well too on recording and going direct to the source. 

Then there's the future.
How do we know? I guess it's like clearing out our attics, that we need to do occasionally. Some items are treasured while with others it is actually good to 'let go' of the past.

I want to embrace your future and your music. Your wonderful voice offers so much. If it's possible (!?) I believe in your voice so much more that I ever did.  In 2003 it was beautiful but it lacked direction, it lacked a solid base or meaning. 

I am sure you love writing and recording - and I am certain too that you learn so much from it all. What a joy that must be. And I am very proud and very happy for all your successes in recent years - especially last year.  Maybe you are OK and I'd like to hope so. How is John too? I try to understand why.

You sang 'Let It Be' at the Colne gig and I still have this song on my MP3 player. It was perfect and so emotional for me - McCartney's best sung by my favourite singer. I had requested this song and it was such an incredible moment to hear you sing and so emotional for me. 
 
Wish You Well
I loved that song, I love so many of your songs! So very poignant.